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Another look at Demon Copperhead

Today was another day on my course looking at children’s literature. I love the course and the writing we’re being shown.

This morning we were looking at the techniques writers use to reveal their characters. One example, aimed at 9 -12 year-olds, was the opening section from Dread Wood by Jennifer Killick. In a few short pages she describes the gang at the core of the book, introducing them to us through the main character by showing us what he thinks of them. Then she uses the gang’s words and behaviour to tell us more about the main character himself. The descriptions are so skilful and quick that they caught my attention with only a few lines.

After looking at Dread Wood and other examples, we were asked to think about books we’d read ourselves. How did they introduce us to their protagonists?

My book, my only recent read, was Demon Copperhead by Barabara Kingsolver. Not a children’s book, but with a growing child at its core. I opened the book up again and started to look. The voice came at me loud and original – self-deprecating, real, urgent. It’s the voice of the ‘I’ of the story, Demon Copperhead. He’s the “little blue prizefighter” who took me from the minutes before his first breath, right to the end of the book. Branded by his birth as the “Eagle Scout of trailer trash”, and orphaned not many years later, life in his struggling community was never going to be easy. Could have all been miserable, made me walk away, but there was that voice that carried me towards the risk, the race over potholes to the end.

How did Barbara Kingsolver do it? I’m not sure exactly, but she made it look easy. All I have discovered is that it’s not.

Copyright Georgie Knaggs & The Phraser 2023

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Attention grabbing – the first sentence

There are two reasons for this postcard today. The first is a course I did looking at the opening lines in children’s literature, and the second is a headline I heard on today’s news.

I’ll start with the headline. This is from The Straits Times: “US military asks for help finding its lost stealth jet” Losing a stealth jet? Of course I want to know happens next.

It’s the same with the first sentence of each of these novels, picked from the bookcase a few minutes ago.

“Wilson sat on the balcony of the Bedford Hotel with his bald pink knees thrust against the ironwork.” The Heart of the Matter by Graham Greene

“I discovered the hiding place because the ball ended up there.” The Day Before Happiness by Erri De Luca

“I am doomed to remember a boy with a wrecked voice – not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.” a prayer for Owen Meany by John Irving

“Two years before leaving home my father said to my mother that I was very ugly.” The Lying Life of Adults by Elena Ferrante

“At 7.45 on the morning of November 28, 1931, a young woman in the first stage of labour was handed by her husband into Lismore’s only hackney-car.” Wheels within Wheels – The Making of a Traveller by Dervla Murphy

“There is a fish in the mirror.” This Mournable Body by Tsitsi Dangarembga

For me, each of the above is like a keyhole, giving a glimpse and tempting me to step inside and close the door.

Copyright Georgie Knaggs & The Phraser 2023

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More ‘modernising and maintenance’

It’s been one of those hot and bothering kind of days, but I like to think there has been some progress – not much ‘modernising’ perhaps but some ‘maintenance’ of The Phraser site.

This afternoon has been dedicated to retrieving postcards from the draft novel and trying to arrange them in some form of accessible order on the front page. I’m now about two thirds of the way through.

In case you have time to test the improvements please click on the Postcards 2023 heading in the menu bar which should then lead you to Draft of Uprooted. If you slide your cursor across that heading it should drop down to a list of six different groupings (1 – 10; 11 – 18; 19 – 26; 27 – 33; 34 – 39; and 39 – 46). Placing a cursor on each of those should pull up a list of the 500 word sections in each collection.

Hope it works. It’s taken me a while to sort out. Will let you know if/when I finish.

Thanks for reading.

Copyright Georgie Knaggs & The Phraser 2023