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A postcard for Sunday – Arántzazu

This photograph was taken on a wet, cold, windy day in September 2022. The church is part of the Franciscan Sanctuary of Our Lady of Arántzazu. We found it at the end of the lonely road we’d followed up into the Aizkorri mountains after our lunch at Oñati.

The drive was dramatic. Forested limestone valleys, drifting with clouds, dropped away beside us, the edges getting steeper the higher we climbed.

It felt truly remote and wild, with the exception of the excellent road which delivered us to a huge car park, with the church at the far end. Both were virtually empty. The closer we got to the church the more imposing it became. It was unlike any religious building I had ever seen – more knuckle duster than warm welcome. The entrance was down a ramp beneath the barred windows on the right. Once inside, it didn’t feel much sunnier.

The wonder for me were the mountains, and the view of the sanctuary complex from behind the church.

If you’re feeling curious here is a link that explains the context and the architecture of the church

Copyright Georgie Knaggs & The Phraser 2023

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Florence, Italy – a weekend in September 2020

Bridges over the Arno River, Florence – September 2020

I did not think this trip would happen.

A weekend in Italy? A wedding in a country brought to its knees in agony by Covid-19 only months earlier? Surely not.

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Review: Don McCullin Photography Exhibition at Tate Britain

At the entrance to the exhibition of Don McCullin's photographs at Tate Britain, London

At the entrance to the exhibition of Don McCullin’s photographs at Tate Britain, London

Black and white and not very big, each frame – and there are rooms of them – shows what it felt like to be there. Not easy most of the time, but so compelling.

The exhibition of photographs taken by Don McCullin over the last sixty years is on at the Tate Britain in London until 6 May 2019. I went last week…so did plenty of others.

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